Until then, podcasting still represents a rather immature category. Its no different than the way each TV pilot season becomes rife with projects that borrow from the themes driving whatever is the mediums hit du jour. Surely theres an entrepreneur or three out there who realizes that Serials formula applying Koenigs storytelling style to the crime genre is easily replicable.
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That said, if youre anybody from CBS 48 Hours to Investigation Discoverys A Crime to Remember, letting Serial inspire a shakeup to the conventions of this genre isnt a bad idea.
Its not entirely clear how Koenigs style, which is so perfectly matched to the intimate nature of podcasting, could work in another medium. She injects her own doubts, foibles, even sarcasm through every twist and turn in a manner unlike the way a whodunit is typically treated.
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Instead of the standard dispassionate style that doesnt seem to have evolved much from Jack Webbs leaden delivery on the 1950s TV series Dragnet, Koenig takes a more human, even folksy approach to recounting the case.
What might seem a run-of-the-mill crime of passion is transformed into a compelling saga by narrator Sarah Koenig (pictured above), whose exhaustive dissection of the case raises so many questions that the guilt of Syed seems far from clear.Įven an average episode of a relatively low-profile TV staple like NBC newsmagazine Dateline routinely features cases like Syeds you could even argue recreating these crimes for TV is a more sophisticated form of storytelling. Regardless, you can bet Serial will end up adapted for another medium.Īnd the same doubt can be cast on podcasts, which are seemingly poised on the verge of an explosion in popularity. But thats not in the cards just yet, according to its creators at WBEZ Chicago, which produces another great oral storytelling franchise for radio, This American Life.
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